From Chris Stapleton’s rootsy repurposing of Nashville pop-country to Sturgill Simpson’s “metamodern” new-Outlaw nihilism, the past few years have seen Kentucky-born artists setting the agenda for a different kind of country music—not so much a complete break with the past as a series of unpredictable mash-ups of what’s come before. Simpson protégé Tyler Childers is […]
from
http://www.patheos.com/blogs/goodletters/2018/03/12533/
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